Biopsy of Shame

CW: blood, fgm, assault

Children have to know their anatomy, you say
You say they have to dissect bloody hearts
They have to watch the sopping slab of meat flop
and bend their rusted scalpel
and smell the stench that’s been laying there
since the teacher clocked in that morning.

No,
you say, we cannot let your child opt out of this
What kind of people would we raise
if they didn’t know their own body?

Girl will gossip about last night
that she bled
that she was pretty sure it was normal
It was normal, right?
that he took charge
that it hurt in her vulva   vagina
it hurt in her
it hurt
it wasn’t what she thought
it wasn’t what she wanted


Dull projector buzzing
female genital mutilation
no mention of labiaplasty
or clitoridectomies or shame
Because if you taught that
you’d have to confess
what you’ve done

All the blood
All the children slipping into the bathroom
with the scissors that Mum uses to cut chicken
cowering and shaking
at every snip

Girl will bunch paper in her underwear
ready for her new life, her new confidence
now she’s pretty
she’ll try to focus on her biology lesson
drawing diagrams in her sparkly notebook
using the new fountain pen she got for Christmas
she’ll feel the blood pooling under her
you can’t be excused
you can’t miss such an important chapter
it could be a 6-mark question

Heading Home: A Postcard

CW: queerphobia

My rickety squeaky train- paper ticket
barcodes haven’t been invented
yet back home
and I smile

I chat with the hairdresser
I’ve gone to since I picked tufts of
ultra-blonde hair off the floor
I watch her waddle past, as I recline into the sink

the radio saved from another time
stowed away under a desk
is floating around the salon
the rest is still unwritten

the co-op down the road’s got a new sign
it’s grey and blue, it lights up at night
it tries to run, to catch the rail links to Central- make em proud!

the light starts blinking a couple months in
teens throw pebbles as after-school bonding
the people’s protest succeeds
we dance under the twinkling sign

the old lady theatre, where I used to
buy whirring lights with mum’s twenty
hosts homemade pride in the courtyard,
the town’s first

must’ve snuck through a hole in the time capsule
but it shapeshifts,
lest it end up like the co-op
opts for x-factor runners up, in lieu of Fergie

I go and I’m eternally six
watching pixie-cut peter pan fly,
an early christmas present

kids who whispered “queer”
hold flags and sing
and we make eye contact
and I smile

A Response to the RSE Report (and hate and fear)

CW: queerphobia


Sandy Swain is a young writer from Kent, filling the niche intersection between mental health, bisexuality, and musical theatre. Her work combines feminist issues with other important things in her life, like Greggs sausage rolls and The Chase. Find her at her Twitter @sandyswainwrite or her Instagram @sandyswainwrites.